It includes Dolby Atmos audio, tamil and telugu audio tracks, audio description for the visually impaired, a director's commentary, a 45 minute long making, behind the scenes videos (which were available on YouTube before the film's release), and Aamir Khan's Dhakkad music video. Very solid, very sound entertainment, with thumpingly good Pritam songs that make Eye of the Tiger seem like pipsqueakery. The Blu-ray disc released by Reliance is also very good. If the sports-movie framework ensures Dangal takes fewer risks than PK, Khan’s religion-razzing megahit of Christmas 2014, it provides a foursquare showcase for both the star, radiating paternal devotion beneath a stern exterior, and the fiercely supple actresses: the match-ups grapple appreciably with wrestling tactics, aware their outcomes have long been on the record. As with most of this Khan’s crowdpleasers, it’s acutely attuned to wider realities: beyond the mat, the Singhs encounter superstition, child brides and institutional slackness, each sidebar reflecting a social struggle. Here, Aamir Khan’s latest composes a study in flexibility around the real-life figure of Mahavir Singh, a champion wrestler turned potbellied clerk who secured his sporting legacy with a rethink on realising his girls Geeta and Babita had more fight in them than any male heir might have. Action man Salman Khan played chaperone in 2015 blockbuster Bajrangi Bhaijaan Shah Rukh Khan provided therapeutic guidance to a mixed-up Alia Bhatt in last month’s Dear Zindagi. B ollywood’s three King Khans have adapted to changing times and mores by recasting themselves as protectors of the nation’s daughters.
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